There are various anime/manga, videogame, cosplay and media conventions around the country, but nothing substantial in East Anglia. This petition… read more
Did you know that the 2000 edition of The Guinness Book of World Records listed Michael Jackson breaking the world… read more
The B.E.T. Cable Network continues to degrade the Image of black people, to be specific, African Americans. This network is… read more
According to an automated email that I and many other disappointed fans have received, ITV will not be showing season… read more
I've been working on an ongoing project to try to get Monster 9 (the creators of Sasuke) to talk to… read more
Since 2007 the Eurovision Song Contests have been both recorded and broadcast in high definition. Some sources state that the… read more
香港藝術館上月展開其策劃的《路易威登：創意情感》特別項目，基本上令使到運用公帑的藝術館，淪成為了商家的宣傳平臺；作為一公營部門/一所公共藝術館，香港藝術館對於自身與商業機構合作的潛在風險警覺度不足，對公共資源的合適運用把關不力，我們作為香港本地藝術工作者，對此狀況感到非常的憤怒。 是次事件無疑牽涉多個層次的問題，但我們認為，事件的根本問題，在於「特別項目」為何會／是如何出現。我們並不想僅從最後出來的種種現象，判斷藝術與商業在展覽是否走得過近云云；我們憤怒的，更是在於為何這種官商交涉之事會能夠成為可能的那基礎。對我們而言，這是在事件眾多可能的討論項目中，最該得到首要關注的項目。 我們質疑，特別項目的如何出現、成為可能，本身就是揭示出是次事件為「官商勾結」一宗!否則，藝術館怎會既沒有預視、亦至今仍不甚警覺到此次特別項目本身牽涉的商業元素的敏感性，並不合適於其現時作為一所以公帑營運的公共藝術館的身份與形象去進行? 藝術館容許這一步發生，就經已埋種下惡根。
The rock band YES has been writing and recording music since 1968. They have toured the world relentlessly for over… read more
We would like another date for Britain's got talent '09 since Newcastle only had 1 tour date and many of… read more
Mark Miller: "One fan set out in search of the truth, armed only with a few phone numbers and the… read more
